#: locale=en
## Media
### Title
panorama_2E4D2C00_23C4_465D_41C0_434C334744F8.label = 0
panorama_2F317500_23CC_465E_41BC_F376103DCBA4.label = 102
panorama_2F30ABE1_23CC_41DE_41AC_4406D14214AD.label = 103
panorama_2F3142C2_23CC_43DD_41A2_007617D4D477.label = 105
panorama_2F31798B_23CC_4E62_41B2_A7B49A4E44DB.label = 108
panorama_2F3160A4_23C5_FFA5_41BA_F02970F06CEF.label = 11
panorama_2F3120DE_23CC_5FE2_41B2_82BF2BC22926.label = 110
panorama_2F3167D9_23CC_41EF_41BD_CED9740B5700.label = 112
panorama_2F310EAC_23CC_43A6_41A5_69E9D96B91FB.label = 113
panorama_2F31E651_23CC_C2FF_41A1_BAECE70D48A8.label = 115
panorama_2F313D8A_23CC_C662_41BA_B8C84EFE4053.label = 117
panorama_2F31E47E_23CC_C6A2_41AE_54AD6098EF21.label = 119
panorama_2F31276A_23C5_C2A2_41B3_B70216578561.label = 12
panorama_2F314B7D_23CC_C2A7_41BE_9AF4ED4CBFF5.label = 122
panorama_2F3102C9_23CC_C3EE_41B2_CEAE64AD720F.label = 124
panorama_2F31499F_23CC_CE62_419E_6D529CB9DAB2.label = 126
panorama_2F316072_23CC_DEA2_41BE_D52F7139BE2B.label = 128
panorama_2F315E34_23C5_C2A6_419C_071E4E7AFD0C.label = 13
panorama_2F32A754_23CC_C2E6_41A4_87D407452FA7.label = 130
panorama_2F32BEBA_23CC_C3AD_41BD_43382867B30E.label = 132
panorama_2F32E602_23CC_425D_41AF_909371085EE9.label = 133
panorama_2F32B42B_23CC_46A2_4186_189A14A413D8.label = 135
panorama_2F32EB7E_23CC_42A5_41BD_9F3671D2A820.label = 139
panorama_2F327285_23CC_4267_41C0_5D2DBEB9D31D.label = 140
panorama_2F32896E_23CC_4EA5_41BB_EAC46051CC41.label = 142
panorama_2F325060_23CC_5EDE_41BF_0237C03E3015.label = 144
panorama_2F32873B_23CC_42A2_41BB_C886894600D8.label = 145
panorama_2F322DF2_23CC_41A2_41C1_BC360A4F2242.label = 148
panorama_2F33B4C5_23CD_C7E7_41B5_BEF8AF67A667.label = 149
panorama_2F319CB3_23C5_C7A3_419C_0980B586DB47.label = 15
panorama_2F33FB8C_23CD_C266_4199_D74006A630D0.label = 152
panorama_2F33D2AF_23CD_C3A2_4180_3BC4E0693447.label = 154
panorama_2F324A01_23CD_C25F_41BE_DCE6E80ED869.label = 155
panorama_2F3220BE_23CD_FFA2_41A6_135C8DEC64D4.label = 157
panorama_2F324789_23CD_C26E_41AF_E5A61823E7D4.label = 159
panorama_2F324F2F_23CD_C2A3_41BC_DC917965B323.label = 161
panorama_2F32865E_23CD_C2E5_4194_AF9871CCD46D.label = 164
panorama_2F324D23_23CD_C6A3_41AE_3D4199832124.label = 166
panorama_2F32F3EE_23CC_41A2_41B6_581AC0C411CD.label = 168
panorama_2F32DAE1_23CC_43DF_4192_51FB39A359AA.label = 171
panorama_2F32A270_23CC_42BD_4198_9BB607EE0114.label = 173
panorama_2F3289CB_23CC_41E3_41A6_97FD8C008CF4.label = 176
panorama_2F31BBE4_23C4_41A6_41C0_1BF9C3B41101.label = 18
panorama_2F32986F_23CC_4EA3_41BD_748622A691D4.label = 181
panorama_2F355FAE_23CC_41A5_41B0_F18A04E15EAB.label = 182
panorama_2F328695_23CC_4267_41A8_876FBEA0D529.label = 184
panorama_2F352D3A_23CC_46A2_41A8_1241EA9E10C5.label = 186
panorama_2F35D430_23CC_C6BD_41A0_DBA5F5AAA59F.label = 188
panorama_2F350B5C_23CC_C2E6_41A0_C1A4F57CDB19.label = 189
panorama_314C8622_2420_C14D_41B7_CED09F7BA1A9.label = 19
panorama_2F35C283_23CC_C263_41AA_BA9DA93823BE.label = 191
panorama_2F3529C1_23CC_C1DE_419F_7BE9426B702C.label = 192
panorama_2F3530E3_23CC_FFA3_41AF_6237D5C51632.label = 194
panorama_2F356786_23CC_C265_41A4_B568FB42ABD2.label = 196
panorama_2F351E7D_23CC_C2A7_41B2_D738439FDC40.label = 198
panorama_2F3D243E_23C5_C6A2_41BE_45AF387AAE7C.label = 2
panorama_2F31B9E9_23C4_41AE_41B2_33712EB7C7E7.label = 20
panorama_2F3545A6_23CC_C1A2_41B1_8D9D4A1BFBDF.label = 200
panorama_2F34D349_23CC_42EF_41B4_BA33352B5B18.label = 203
panorama_3BF250E4_2F2D_D8C7_419D_11D5EA5DC067.label = 204
panorama_2F349089_23CC_5E6E_41BA_C6A3E1AD7875.label = 206
panorama_2F34C7F2_23CC_41BD_41B0_D43369EAF52A.label = 209
panorama_2F348EC1_23CC_43DE_41C0_72DFF91AD7ED.label = 210
panorama_2F34A56F_23CC_46A2_41A7_933EEB6DD07B.label = 211
panorama_2F345CF8_23CC_47AD_41B1_C7BE3B560CE3.label = 213
panorama_2F3493AA_23CC_41AD_41B5_55389D995A49.label = 215
panorama_2F345B36_23CC_42A5_41A3_23E2C3A4F52C.label = 217
panorama_2F379235_23CF_C2A6_41B5_1386C388B0A4.label = 220
panorama_2F37D940_23CF_CEDE_41B0_0489D81A6D82.label = 221
panorama_2F37BFF1_23CF_C1BF_41BA_E34531D2720C.label = 223
panorama_2F3436C0_23CF_C3DD_415E_6C8CD12F7100.label = 224
panorama_2F341D52_23CF_C6E2_41A6_F9AC880C44A4.label = 225
panorama_2F34543F_23CF_C6A3_41B1_85137A505641.label = 226
panorama_2F34516C_23CF_DEA6_41C1_A420151BAEB3.label = 235
panorama_2F346808_23CF_CE6E_41B1_2188E46CB19E.label = 236
panorama_2F31A01B_23C4_5E62_4194_A5E76F54BE69.label = 24
panorama_2F34F5D0_23CC_41FD_419E_DF14E4AE3BB4.label = 240
panorama_2F349C9B_23CC_4663_41BC_89ADFC2AFA8C.label = 244
panorama_2F3493DD_23CC_41E6_41C0_9142A5D25974.label = 245
panorama_2F355AB2_23CC_43BD_41C0_317EEEFA9984.label = 247
panorama_2F349179_23CC_7EAF_41BF_98ED4548C50F.label = 258
panorama_2F3558F4_23CC_4FA6_419B_8624EB4D8B75.label = 259
panorama_2F31B74E_23C4_42E5_41AF_3AD9FDF487CF.label = 26
panorama_2F35601A_23CC_5E62_41BE_FE7AB9346870.label = 262
panorama_2F35F71D_23CC_4267_41AC_C23DF51CA9B7.label = 263
panorama_2F3534E9_23CC_C7AF_41C0_28AD598F0F2A.label = 267
panorama_2F352BC0_23CC_C1DD_4147_F404F30F6A00.label = 269
panorama_2F31EE1A_23C4_426D_41A6_EE685602A5C2.label = 27
panorama_2F2A8388_23CC_C26E_41B0_0D986B910202.label = 271
panorama_2F355AA6_23CC_C3A5_4182_F5ABDFD6742F.label = 273
panorama_2F2A8F95_23CC_C267_41A1_EDA875A8813B.label = 280
panorama_2F2AA644_23CC_C2E6_41A3_CDAB41E8694B.label = 281
panorama_2F2A1E4D_23CC_C2E7_41A0_EA4F5A9DF553.label = 284
panorama_2F2AA517_23CC_4662_41AB_C9DD631C987B.label = 285
panorama_2F2A6C32_23CC_46A2_41BC_A3F162FCFC38.label = 288
panorama_2F2A2A0D_23CC_4267_4191_E6E001E5AD7D.label = 291
panorama_2F2A511C_23CC_7E66_4191_48B43F8E6633.label = 294
panorama_2F2BC843_23CC_4EE3_41B0_A0EB5C23F219.label = 297
panorama_2F2BA6FB_23CC_43A2_41B6_7A07F8099B99.label = 300
panorama_2F2BDD8F_23CC_4663_41C1_BF1C0620BF41.label = 302
panorama_2F2A94B3_23CD_C7A3_41A3_4E94A66310DD.label = 306
panorama_2F2A4B5D_23CD_C2E7_41C1_9BCC54DF5E4A.label = 309
panorama_2F31551A_23C4_C66D_41A1_98062E44F228.label = 31
panorama_2F2AB2F0_23CD_C3BD_418E_363C9C1D6E4A.label = 312
panorama_2F2AB9F6_23CD_C1A5_41B5_F4151D92675A.label = 315
panorama_2F2AC0E7_23CD_FFA3_4190_76A1DFFC4E31.label = 317
panorama_2F2AE808_23CD_CE6E_4183_AB3DF585DDE6.label = 318
panorama_2F313C66_23C4_C6A5_41B7_E256D3AA4D6E.label = 32
panorama_2F293026_23CD_DEA5_41A4_3A349B092FC3.label = 321
panorama_2F2AD769_23CD_C2AF_41B6_15FF805F6FAB.label = 322
panorama_2F296EC8_23CD_C3ED_41C0_BA680D63318D.label = 325
panorama_2F2955CD_23CC_41E6_417F_9480F5D245B1.label = 326
panorama_2F293C88_23CC_466D_41C0_A8AE06AD4F5E.label = 329
panorama_2F29033A_23CC_42A2_41A6_79945ABE0821.label = 330
panorama_2F29CA57_23CC_42E2_41A7_B8E49E9DFD1C.label = 333
panorama_2F291163_23CC_7EA2_417B_E62048B6CE90.label = 336
panorama_2F2988A7_23CC_4FA3_4193_839C26E89E34.label = 337
panorama_2F29AF65_23CC_42A7_4199_1F03A2E624CC.label = 339
panorama_2F2876A1_23CC_425E_4176_3629DD580F90.label = 341
panorama_2F299DEF_23CC_41A2_41B3_5118D96121D2.label = 343
panorama_2F289491_23CC_C67F_41B1_41D47914E7E2.label = 346
panorama_2F288C32_23CC_C6A2_41BC_45171876EF3B.label = 348
panorama_2F317358_23C4_C2ED_41B0_92F800A0BBCE.label = 35
panorama_2F28CA0D_23CC_C266_41A9_A77495874C82.label = 352
panorama_2F28E757_23CC_C2E2_419F_C7EE79D64C18.label = 354
panorama_2F283DE4_23CC_C1A5_41A8_90FE59F1A945.label = 355
panorama_2F2824FC_23CC_C7A5_41BB_FBB593FB4CCB.label = 357
panorama_2F286B98_23CC_C26E_41B5_79AC14E68FCC.label = 359
panorama_2F315AFC_23C4_C3A6_41B3_AFEC08A0249B.label = 36
panorama_2F2872C1_23CC_43DF_41B0_09A0FD421A3C.label = 362
panorama_2F2FD977_23CC_4EA2_41C1_2EE545BFC23A.label = 363
panorama_2F280071_23CC_5EBE_41C1_282E0281756E.label = 366
panorama_2F2FF72F_23CC_42A2_419F_AD4A6F11F01E.label = 368
panorama_2F2FCDED_23CC_41A7_41B7_A596B37FFF33.label = 369
panorama_2F2F64A9_23CC_47AE_4199_AEC3CB3E64B5.label = 370
panorama_2F2F6BC1_23CC_41DF_41B7_817CD384751A.label = 371
panorama_2F2F42B9_23CC_43AF_41A4_546FEC26E280.label = 372
panorama_2F2F6959_23CC_4EEE_41B9_33FFA669ACBF.label = 373
panorama_2F28C79A_23CB_C262_41AF_545D2E5CDCC2.label = 375
panorama_2F293E3C_23CB_C2A5_41B3_F19FE3AC0100.label = 376
panorama_2F29150C_23CB_C666_41A2_78E46D180F65.label = 377
panorama_2F297BEB_23CB_C1A3_4171_D14A5B37F5F9.label = 378
panorama_2F29429F_23CB_C262_4186_9C805C836F4E.label = 379
panorama_2F2989DE_23CB_C1E5_4196_C59B312A2DB7.label = 380
panorama_2F29B104_23CB_DE66_41AF_1CF57D56895B.label = 381
panorama_2F29C881_23CB_CE5F_41B4_082F4507EF91.label = 382
panorama_2F29DF8B_23CB_C262_41BD_61284D8FD897.label = 383
panorama_2F2A6675_23C4_42A6_41C0_5FEAAD1B97ED.label = 384
panorama_2F298D6E_23C4_46A5_418B_165E5348B2B4.label = 386
panorama_2F2A5430_23C4_46BE_4196_234E957C2BC3.label = 387
panorama_2F314905_23C4_CE67_41BD_FC9A49DAE527.label = 40
panorama_2F309FDA_23C4_C1ED_41B4_2113134E1E51.label = 42
panorama_2F30A6FF_23C4_C3A2_41B4_D02B50CC6F28.label = 44
panorama_2F30DE12_23C4_C262_41A9_B5C816D9EFD0.label = 48
panorama_2F30E4D9_23C4_47EE_41B0_2CA4CD800D99.label = 50
panorama_2F30BBA2_23C4_41A2_4194_451C4C44E753.label = 52
panorama_2F309245_23C4_42E6_41C0_E5B35F1F13BF.label = 55
panorama_2F3058F8_23C4_4FAD_41BD_962E95725E1E.label = 57
panorama_2F306020_23C4_7E5D_417D_511E34CB2F44.label = 58
panorama_2F313B91_23C5_C27E_41B4_61371F6AA0FE.label = 6
panorama_2F305765_23C4_42A7_41B0_2808310E95D9.label = 62
panorama_2F307E6A_23C4_42AD_41B3_A5D323915BC4.label = 64
panorama_2F302536_23C4_46A2_41BA_9211B3DCB348.label = 66
panorama_2F305BF6_23C4_41A2_41B1_2DF980F94C42.label = 68
panorama_2F3012A8_23CB_C3AE_41A0_705B34DCFB50.label = 72
panorama_2F3FF97F_23CB_CEA3_41B9_7BBFDFBD4A65.label = 73
panorama_2F300073_23CB_DEA2_41A9_69E4C494B27F.label = 75
panorama_2F3FF733_23CB_C2A3_41C0_B92532138206.label = 76
panorama_2F305E12_23CB_C262_41AB_2F252F2B00BF.label = 77
panorama_2F312275_23C5_C2A7_41A7_BAE2384433B3.label = 8
panorama_2F3034CD_23CB_C7E6_41BB_FA78CD923548.label = 81
panorama_2F30AC09_23CB_C66E_41A4_DCBBF63EE6E0.label = 82
panorama_2F3062BB_23CB_C3A3_419C_56FDD48246DC.label = 85
panorama_2F3099A0_23CB_CE5E_41C1_91B80CFC2F34.label = 88
panorama_2F3119B6_23C5_C1A2_41B6_702BA800D4D8.label = 9
panorama_2F3097A5_23CC_41A7_41B7_F130D8CEEBA8.label = 96
panorama_2F308E71_23CC_42BF_41C1_9E7DE85F0DB8.label = 99
## Skin
### Image
Image_B19134E0_A3F1_6667_41AC_F3E6887F229D.url = skin/Image_B19134E0_A3F1_6667_41AC_F3E6887F229D_en.png
Image_B19134E0_A3F1_6667_41AC_F3E6887F229D_mobile.url = skin/Image_B19134E0_A3F1_6667_41AC_F3E6887F229D_mobile_en.png
Image_B1B5E699_A3F0_E2D9_41E1_24163F01D39A.url = skin/Image_B1B5E699_A3F0_E2D9_41E1_24163F01D39A_en.png
Image_B1B5E699_A3F0_E2D9_41E1_24163F01D39A_mobile.url = skin/Image_B1B5E699_A3F0_E2D9_41E1_24163F01D39A_mobile_en.png
Image_B238DD4B_A3F1_67B9_41C6_1DB34C31DE8D.url = skin/Image_B238DD4B_A3F1_67B9_41C6_1DB34C31DE8D_en.png
Image_B238DD4B_A3F1_67B9_41C6_1DB34C31DE8D_mobile.url = skin/Image_B238DD4B_A3F1_67B9_41C6_1DB34C31DE8D_mobile_en.png
### Multiline Text
HTMLText_B7EC8F32_A411_63EA_41E2_DC451FB62558.html =
HTMLText_201ED6DB_2E0F_5136_41A8_53B90D7964DE.html = Building of an unspecified purpose with an apse
This building is located in the area northwest of the City bath and the Horreum. It lies partially over the northern auxiliary room of the horreum. The building is set in the direction southeast / northwest. It has an elongated rectangular shape (30 x 8.50 m) with a built-in apse on the east side, which is enclosed by a protective wall from the outside, while on the inside it is separated by a partition wall from the remaining space.
An auxiliary entry on the south side was discovered, while the main entrance to the building should probably be expected to appear on the west end. The building has not been researched fully, due to which its purpose cannot be reliably determined, although there are enough indications regarding its public character. The architectural structure, the direction of extending and the movable finds (glass candle lamps and a candle lamp holder with a cross)- all point to a possible sacral purpose.
HTMLText_20A8DEFB_2E0A_AEF7_41B2_7A5516F9EC85.html = City Ramparts
The rampart enclosure takes the form of an irregular rectangle (738 x 590 m), with an area of 43/44 ha inside of the walls (intra muros). There were at least two major construction phases for protection of the city by means of defensive walls. The older phase should include the period since the founding of the colony to the late 4th/ middle of 5th century, which the walls had more of a representative rather than a defensive role.
In the second phase, which includes the period from the 5th - 6th century the city was fortified with new powerful walls, but the surface of the protected area was smaller compared to the previous stage.
HTMLText_20236871_2E0F_51F2_41BB_5B601AA4A9CA.html = City bath
The City bath is situated on west, parallel to the cardo street in a direction northeast / southwest. It has an elongated shape (41 x 13/9 m) with a simple plan of several interconnected rooms according to the purpose and extent of heating. The bath is divided into a cold northern and warm southern section, whereby the north is 4 meters wider than the south.
Cold northern section - on the north end the first section is the frigidarium (the section for bathing with cold water) with a pool of cold water followed by the apodyterium (dressing room). The frigidarium and apodyterium are united into a single rectangular area with an entrance from the north side, in the first construction phase. At the southern end of the apodyterium there is a low wall (parapet) with indents for placing the clothing before bathing. The floor in the apodyterium is paved with stone slabs, while the frigidarium has a brick floor placed over a base of waterproof mortar.
In south-western section of the frigidarium there is a pool of cold water. It is encircled by stone slabs reinforced by supporting walls on the exterior. On the west supporting wall were built six small pillars as foundations for the columns that carried the roof. In the pool, which is paved with brick, one entered from the south side by means of two stairways. The system of water supply has not been disclosed, but by means of a canal on the south side of the pool the water was transferred to the main drainage canal under the cardo street.
Warm southern section - in the southern half of the building from north to south are the tepidarium (a section for bathing with lukewarm water), laconium (section for sweating), caldarium (for bathing with hot water) and finally praefurnium (heating station).
HTMLText_209440E0_2E06_D112_41A5_2E09A01235B0.html = City house – domus
The building is preserved in a rather dilapidated condition as a result of damage caused by numerous subsequent destructive processes and building interventions. Two building phases have been established, of which the newer has been explored more thoroughly. After the violent de- struction of the older phase in the late 3rd century, the domus was soon restored and extended. The northwest section of the newer phase of the domus with an elongated rectangular shape (40 x 15 m) , set in a direction northeast / southwest has been researched. It belongs to a larger building whose total size and architectural composition have not been determined. The size, the spatial arrangement, the furnishings and the decoration of the premises indicate a functional division of the structure into two sections of different purpose.
The northeast, economic section of the house is characterizes by simplicity and symmetry of the premises. Three premises have been researched, whereby the central was divided crosswise into two smaller rooms, and of the side rooms fully unearthed is only the southwest. Eastward, all three rooms open to a porch, which leads to a large inner yard, lined with monolithic stone blocks and paved with stone slabs. The southern end of the porch is closed with a smaller room, which we assume had a counterpart on the northern end, as well.
HTMLText_23D06D9E_2E0F_732E_417D_B802F1117DF4.html = City villa - Domus (Villa Urbana)
It is partially located under the southeast end of the Christian basilica with a baptistery. It is set in a direction northwest / southeast. From this building have been discovered two large areas on the east side and a small private bathroom on the west side. The solemn character of the central room in the eastern part is determined by walls with frescoes, of which, unfortunately, only the lower zone has been preserved. The frieze is divided into square fields with borders of black stripes. In each of the fields, on a pale yellow and orange base, are painted geometric ornaments in different combinations (slanted, wavy, oval, circular, zigzag lines, stripes, spots, etc.) of multiple colors with greater intensity in order to imitate marble.
In the west, thermal section of the villa were discovered parts of the caldarium (hot section), praefurnium (heating station) and tepidarium (lukewarm section). The heating station is set between the caldarium and tepidariumot. The caldarium has an apse (conch) on the southwest side and floor (hypocaust) heating with circular pillars. In one part of tepidariumot, under the floor of the waterproof mortar is a canal of clay pipes (tubuli) in two rows which served for floor heating.
According to the stratigraphic position, size, architectural structure and elements, especially the decorative elements of the frescoes, the construction of the villa is dated from the late 3rd to the late 4th / early 5th century.
HTMLText_200C334B_2E0F_5716_41C5_3D857516F6A7.html = Early Christian basilica with an atrium
The basilica has impressive monumental dimensions (53 x 16 m), which is an indication of the dominant position of the building in this part of the city in the 6th century.
It is a three-naval basilica with a narthex, atrium and entrance halls (courtyard) on the west side and three apses on the east side.
The basilica was connected to the outer space via the east sidewalk of the cardo street, where- from one entered an asymmetrical courtyard with two areas. Then, under a great arch one entered a spacious square atrium, where the narthex came from the east with a square annex- room from the outer- northern side. One enters the passage from the atrium to the narthex, in the side naves, through the stone thresholds which have grooves for the wooden doors. From the narthex through a triple arch (tribelon) one enters the central nave of the basilica. Laterally, the tribelon is flanked by cross-shaped pillars which also represent the beginning point of the colonnades which consist of five pillars that divide the naos into three parts. The pillars of the colonnades between the side naves and the central nave are placed on stone pedestals. At the east end the basilica ends in three apses, of which the central is three-sided on the outside, while the two lateral apses are semi-circular. On the inside, next to the northern wall of the atrium, are staircases leading to the upper floor, which indicates a two-story building with a gallery.
The sides of the atrium were paved with ceramic tiles, while the middle part was probably open and served as a courtyard. The floor of the narthex and the naos was covered with waterproof mortar with a smooth thin glaze. The altar area was paved with stone slabs of different size. Regarding architectural decoration were preserved pillars of the tribelon depicting, in high relief, large Latin crosses exiting the Universe.
According to the architectural structure and preserved elements of decoration, the basilica existed during the 6th century.
HTMLText_23FA5F54_2E0F_6F31_41C3_FC7240AA7C2D.html = Early Christian basilica with baptistery
The basilica is set in a direction southeast / northwest. It is three-naval with impressive dimensions (39 x 18 m); with a narthex on the west, an apse on the east and a baptistery on the south side. North of the exterior of the narthex was discovered a pastophoria (an area for the preparation of priests and honest gits), whereby its counterpart was assumed to have existed on the south of the narthex, but was not saved due to the significant amount of damage. The northern pastophoria is set on a higher level and is connected with the narthex via three stone staircases. The connection of the basilica with the outer space toward cardo street was established via three entrances to the narthex, of which only the north is preserved. From the narthex to the central nave one enters by means of a staircase, through a portal with three openings, which are separated by rectangular pillars. The narthex was connected to the north and south nave via separate entrances. The naves are separated by colonnades of pillars set on rectangular bases. The columns in the upper structure were interconnected with double arches decorated with fresco decoration.
The floor of the narthex and the northern pastophoria were paved with bricks. The floor of the basilica was covered with waterproof mortar with a smooth thin glaze, which is the basis for setting up a mosaic. The floor of the presbytery (space for the Priests’ Council) was built in the same technique, but placed on a higher level.
On the southeast end of the south nave there is a partially built baptistery. Over the existing semi-circular area of the thermal part of the older City villa, which, at that time, was no longer in use, was built another apse (conch) to the east.
According to the architectural structure and preserved decorative elements (marble capitals, bases and shafts from the pillars, rosettes, etc.), the basilica operated from the end of the 5th and during the 6th century.
HTMLText_2017453F_2E0F_536E_41BE_06081D3B964D.html = Great thermal complex
This building, regarding its monumentality, structure and the complex and extravagant composition was designated as a multi- purpose bath (thermal) complex which probably encompassed the entire quarter west of the cardo street (maximus?) i.e. south of decumanus (maximus?). The dimensions and construction phases of the building have not yet been determined, as it is still in the research stage. It is of elongated shape with several areas arranged lengthwise, inter- connected according to the purpose and extent of heating. There are indications that the south- ern part of the building was intended for hot bathing, while the northern and central parts were probably used for cold bathing and recreation. In the warm section, from south to north, was identified a caldarium with an apse-shaped room (pool) on the north side and two heating stations. In the north section the following chambers have been researched: the apodyterium, corridor, inner courtyard (atrium) and parts of several chambers of unidentified purpose. The impressive rectangular apodyterium is connected to the cardo street via a semi-circular entrance. To the east extends a nearby elongated corridor, directly connected to the main decumanus on the north, and to the central inner courtyard on the south.
The floor and the lower zone of the walls in the hall, as well as the niche, were coated with waterproof mortar with a thin smooth glaze. On the floor were laid decorative green, red and yellow marble slabs. Two floor levels have been identified indicating a restoration of the hall. There are indications that the walls in the upper level were decorated with luxurious wall mosaics and frescoes of rich colorations and graffiti. In this setting was probably placed the statue Venus Pudica with a dolphin.
During its existence for many centuries, from the 2nd to the 5th century, the building under- went several extensions and adaptations, which probably altered the purpose of the individual chambers.
HTMLText_200BC0C5_2E0B_B112_41B2_4492A2FF9946.html = Horreum (granary - a public warehouse)
The building has a simple massive structure of an elongated rectangular shape (65 x 15 m). On each of the north and south ends of the west side there is an auxiliary room, which is connected to the main building by separate entrances. The main communication of the Horreum with the exterior (the street decumanus maximus) is through the three entrances at the north end, one main and two auxiliary. On the west side there is another auxiliary entrance.
The interior of the northern half of the building, with three parallel rows of columns is noticeably divided into four longitudinal corridors. Inside the building were found several bases and shafts of columns, which divided the corridors on the upper level indicating existence of a multi-story construction.
HTMLText_3EE355C9_2F24_58C0_41AD_61934AC164F6.html = Late Antiquty micro - dwelling units
The discovered remains of Late Antiquty micro - dwelling units are silent witnesses to the last remnants of organized life in Scupi, whereby we get a clear picture of what happened in the area of Scupi in the turbulent years at the end of Late Antiquity, during the late 6th century and even later in the early 7th century.
The organization of the micro-dwelling complexes on both sides of the cardo street indicates a fragmentation and disintegration of the previous building structure into smaller trade units.
The walls were built by means of the primitive dry-wall technique using unprocessed stones and broken bricks bound by mud, which oten incorporated architectural elements (spolia), parts or whole walls from the older building periods. The masonry and diferent loor levels of pressed earth point to at least two building phases followed by additions or adjustments to the space, which conirms not only the weak economic power of their owners but also the weak economic power of Scupi in that period.
Nevertheless, the efective organization and rationalization of the space is evident through the fact that the individual buildings are structurally simple and interconnected.
HTMLText_3623FDCF_2F6D_A8C1_41B0_E4E31460AC6C.html = Northern wing of the Great thermal complex
Area of the northern wing of the Great Thermal Complex in a research phase...
HTMLText_B30A0945_A3FF_2FA9_41BC_1534AB4255C8.html = Scupi – Colonia Flavia Scupinorum
Archaeological finds indicate continuous life on the area of the future city of Scupi and the immediate surroundings in the Bronze and Iron Age - from the 12th to the 6th century BC. According to historical sources, the Dardanians penetrate and populate the region of the Skopje Valley in the late 3rd century BC.
The Scupi colony (Colonia Flavia Scupinorum) was established by means of inhabiting veterans (retired soldiers) of the legions: Seventh Claudius (VII Claudia), Fifth Macedonian (V Macedonica), Fifth Alauda (V Alaudae) and Fourth Macedonian (IV Macedonica), who were awarded land as a reward (deduction) on the wider urban area which coincided with the territory of the Skopje Valley.
Scupi is the southernmost provincial capital of Upper Moesia (Moesiae Superior), and the city borders were identical to a section of the province borders. According to the Roman geographer Ptolemy of the 2nd century, Scupi was the largest center and the only colony in Dardania (the southern half of the province), along with the cities Naissus, Ulpiana and Aribantion. During the iperial period, the city progresses and develops profoundly, persisting as a significant administrative, religious and transit center of the province of Moesia Superior.
In 518 AD Scupi was destroyed in an earthquake, which was recorded in the chronicle of Marcellinus Comes. The earthquake and the constant penetrations of the Slavs, Kutrigurs and Avars that ravaged the Balkans throughout the 6th century that consisted of looting, burning and destruction of the wealthy Roman cities including Scupi causes the demise of the city life in Scupi.
HTMLText_20293CB7_2E0B_B17E_41B3_FBBECF856083.html = Street grid
In line with the general urban structure, the streets were placed according to an orthogo nal system, parallel to the walls of the enclosure (northwest / southeast - southwest / northeast). This involved two main streets: cardo maximus and decumanus maximus. Thus far, the following have been researched: a large section of the street cardo, the inter- sections on this street with two decumani and parts of two cardo streets and one decumanus.
The street which was 8.30 m wide, was paved with irregular massive stone slabs. To the left and the right of the street, separated by curbs, were the sidewalks with a width of 2.60 m on the east, and up to 3 m on the west side, totaling a 14m width of the street. They were paved with cobblestones of ground stone or river flint stones except in certain places, commonly in front of the entrances to the buildings, where bricks were placed instead.
HTMLText_206477E5_2E05_5F12_41B9_8E44317DF05E.html = Theatre
According to its impressive dimensions, this monumental architectural facility is the largest of the preserved Roman theatres on the territory of the Re- public of Macedonia. The main contours of the building have been uncovered: skene, the central space of the theatre building and the eastern part of the auditorium. In the construction of the auditorium the natural slope of the hill was utilized, while for the purpose of setting the orchestra and the theatre building the ground was previously levelled.
Through the theatre building (98 x 15 m) there are three corridors leading up to the orchestra, which has the shape of a partial semicircle, which is characteristic of the Roman theatres. The outer edge of the auditorium is 16 meters higher than the level of the orchestra, as was prob- ably the height of the stage building.
In the central part of the theatre building were discovered six smaller rooms that served as locker rooms or rooms for preparation of the artists. The facade of the skene has a semicircle niche above the main hall and two rectangular niches above the lateral corridors. The stage was two meters above the orchestra and was covered with multicolor marble slabs. The facade of the skene was extremely lavishly decorated with marble pillars on two floors, and capitals, bases, architraves, door frames, roof wreaths and other decorative architectural elements, with rich ornamentation, whose artistic and technical level of craftsmanship is at an extraordinary high level and does not falter compared to most artistic works from that time in other Roman capitals.
Left and right of the skene are side wings (paraskenia) of the theatre building, which are pulled inside toward the orchestra and partly angled towards the auditorium, thus forming parodoi (entrances) as side pathways to the orchestra.
The auditorium (cavea) lies on the natural slope, facing southwest. One pathway (diazoma) divides the audience into two parts. The seats of the lower section stood on a massive complex substructure of concentric semi-circular walls, interconnected by arches, which form four arched underground passageways. Via the fourth corridor one went out to several places, whereby two exits were discovered (vomitoria) in the lower part of the auditorium. The top half of the auditorium lies over a construction of two concentric semi-circular walls, connected by 24 radial beams, each arched, which served as a base for the seats. The preserved items indicate that the theatrical performances took place in the orchestra. There has not been evidence, thus far, that in the theatre were organized gladiatorial performances.
The architectural composition and the style of decorative elements indicate that the theatre was built during the reign of Hadrian (first half of the 2nd century). That conclusion is supported by the probable visit of Hadrian in Scupi between 121-125 AD.
HTMLText_201ED6DB_2E0F_5136_41A8_53B90D7964DE_mobile.html = Building of an unspecified purpose with an apse
This building is located in the area northwest of the City bath and the Horreum. It lies partially over the northern auxiliary room of the horreum. The building is set in the direction southeast / northwest. It has an elongated rectangular shape (30 x 8.50 m) with a built-in apse on the east side, which is enclosed by a protective wall from the outside, while on the inside it is separated by a partition wall from the remaining space.
An auxiliary entry on the south side was discovered, while the main entrance to the building should probably be expected to appear on the west end. The building has not been researched fully, due to which its purpose cannot be reliably determined, although there are enough indications regarding its public character. The architectural structure, the direction of extending and the movable finds (glass candle lamps and a candle lamp holder with a cross)- all point to a possible sacral purpose.
HTMLText_20A8DEFB_2E0A_AEF7_41B2_7A5516F9EC85_mobile.html = City Ramparts
The rampart enclosure takes the form of an irregular rectangle (738 x 590 m), with an area of 43/44 ha inside of the walls (intra muros). There were at least two major construction phases for protection of the city by means of defensive walls. The older phase should include the period since the founding of the colony to the late 4th/ middle of 5th century, which the walls had more of a representative rather than a defensive role.
In the second phase, which includes the period from the 5th - 6th century the city was fortified with new powerful walls, but the surface of the protected area was smaller compared to the previous stage.
HTMLText_20236871_2E0F_51F2_41BB_5B601AA4A9CA_mobile.html = City bath
The City bath is situated on west, parallel to the cardo street in a direction northeast / southwest. It has an elongated shape (41 x 13/9 m) with a simple plan of several interconnected rooms according to the purpose and extent of heating. The bath is divided into a cold northern and warm southern section, whereby the north is 4 meters wider than the south.
Cold northern section - on the north end the first section is the frigidarium (the section for bathing with cold water) with a pool of cold water followed by the apodyterium (dressing room). The frigidarium and apodyterium are united into a single rectangular area with an entrance from the north side, in the first construction phase. At the southern end of the apodyterium there is a low wall (parapet) with indents for placing the clothing before bathing. The floor in the apodyterium is paved with stone slabs, while the frigidarium has a brick floor placed over a base of waterproof mortar.
In south-western section of the frigidarium there is a pool of cold water. It is encircled by stone slabs reinforced by supporting walls on the exterior. On the west supporting wall were built six small pillars as foundations for the columns that carried the roof. In the pool, which is paved with brick, one entered from the south side by means of two stairways. The system of water supply has not been disclosed, but by means of a canal on the south side of the pool the water was transferred to the main drainage canal under the cardo street.
Warm southern section - in the southern half of the building from north to south are the tepidarium (a section for bathing with lukewarm water), laconium (section for sweating), caldarium (for bathing with hot water) and finally praefurnium (heating station).
HTMLText_209440E0_2E06_D112_41A5_2E09A01235B0_mobile.html = City house – domus
The building is preserved in a rather dilapidated condition as a result of damage caused by numerous subsequent destructive processes and building interventions. Two building phases have been established, of which the newer has been explored more thoroughly. After the violent de- struction of the older phase in the late 3rd century, the domus was soon restored and extended. The northwest section of the newer phase of the domus with an elongated rectangular shape (40 x 15 m) , set in a direction northeast / southwest has been researched. It belongs to a larger building whose total size and architectural composition have not been determined. The size, the spatial arrangement, the furnishings and the decoration of the premises indicate a functional division of the structure into two sections of different purpose.
The northeast, economic section of the house is characterizes by simplicity and symmetry of the premises. Three premises have been researched, whereby the central was divided crosswise into two smaller rooms, and of the side rooms fully unearthed is only the southwest. Eastward, all three rooms open to a porch, which leads to a large inner yard, lined with monolithic stone blocks and paved with stone slabs. The southern end of the porch is closed with a smaller room, which we assume had a counterpart on the northern end, as well.
HTMLText_23D06D9E_2E0F_732E_417D_B802F1117DF4_mobile.html = City villa - Domus (Villa Urbana)
It is partially located under the southeast end of the Christian basilica with a baptistery. It is set in a direction northwest / southeast. From this building have been discovered two large areas on the east side and a small private bathroom on the west side. The solemn character of the central room in the eastern part is determined by walls with frescoes, of which, unfortunately, only the lower zone has been preserved. The frieze is divided into square fields with borders of black stripes. In each of the fields, on a pale yellow and orange base, are painted geometric ornaments in different combinations (slanted, wavy, oval, circular, zigzag lines, stripes, spots, etc.) of multiple colors with greater intensity in order to imitate marble.
In the west, thermal section of the villa were discovered parts of the caldarium (hot section), praefurnium (heating station) and tepidarium (lukewarm section). The heating station is set between the caldarium and tepidariumot. The caldarium has an apse (conch) on the southwest side and floor (hypocaust) heating with circular pillars. In one part of tepidariumot, under the floor of the waterproof mortar is a canal of clay pipes (tubuli) in two rows which served for floor heating.
According to the stratigraphic position, size, architectural structure and elements, especially the decorative elements of the frescoes, the construction of the villa is dated from the late 3rd to the late 4th / early 5th century.
HTMLText_200C334B_2E0F_5716_41C5_3D857516F6A7_mobile.html = Early Christian basilica with an atrium
The basilica has impressive monumental dimensions (53 x 16 m), which is an indication of the dominant position of the building in this part of the city in the 6th century.
It is a three-naval basilica with a narthex, atrium and entrance halls (courtyard) on the west side and three apses on the east side.
The basilica was connected to the outer space via the east sidewalk of the cardo street, where- from one entered an asymmetrical courtyard with two areas. Then, under a great arch one entered a spacious square atrium, where the narthex came from the east with a square annex- room from the outer- northern side. One enters the passage from the atrium to the narthex, in the side naves, through the stone thresholds which have grooves for the wooden doors. From the narthex through a triple arch (tribelon) one enters the central nave of the basilica. Laterally, the tribelon is flanked by cross-shaped pillars which also represent the beginning point of the colonnades which consist of five pillars that divide the naos into three parts. The pillars of the colonnades between the side naves and the central nave are placed on stone pedestals. At the east end the basilica ends in three apses, of which the central is three-sided on the outside, while the two lateral apses are semi-circular. On the inside, next to the northern wall of the atrium, are staircases leading to the upper floor, which indicates a two-story building with a gallery.
The sides of the atrium were paved with ceramic tiles, while the middle part was probably open and served as a courtyard. The floor of the narthex and the naos was covered with waterproof mortar with a smooth thin glaze. The altar area was paved with stone slabs of different size. Regarding architectural decoration were preserved pillars of the tribelon depicting, in high relief, large Latin crosses exiting the Universe.
According to the architectural structure and preserved elements of decoration, the basilica existed during the 6th century.
HTMLText_23FA5F54_2E0F_6F31_41C3_FC7240AA7C2D_mobile.html = Early Christian basilica with baptistery
The basilica is set in a direction southeast / northwest. It is three-naval with impressive dimensions (39 x 18 m); with a narthex on the west, an apse on the east and a baptistery on the south side. North of the exterior of the narthex was discovered a pastophoria (an area for the preparation of priests and honest gits), whereby its counterpart was assumed to have existed on the south of the narthex, but was not saved due to the significant amount of damage. The northern pastophoria is set on a higher level and is connected with the narthex via three stone staircases. The connection of the basilica with the outer space toward cardo street was established via three entrances to the narthex, of which only the north is preserved. From the narthex to the central nave one enters by means of a staircase, through a portal with three openings, which are separated by rectangular pillars. The narthex was connected to the north and south nave via separate entrances. The naves are separated by colonnades of pillars set on rectangular bases. The columns in the upper structure were interconnected with double arches decorated with fresco decoration.
The floor of the narthex and the northern pastophoria were paved with bricks. The floor of the basilica was covered with waterproof mortar with a smooth thin glaze, which is the basis for setting up a mosaic. The floor of the presbytery (space for the Priests’ Council) was built in the same technique, but placed on a higher level.
On the southeast end of the south nave there is a partially built baptistery. Over the existing semi-circular area of the thermal part of the older City villa, which, at that time, was no longer in use, was built another apse (conch) to the east.
According to the architectural structure and preserved decorative elements (marble capitals, bases and shafts from the pillars, rosettes, etc.), the basilica operated from the end of the 5th and during the 6th century.
HTMLText_2017453F_2E0F_536E_41BE_06081D3B964D_mobile.html = Great thermal complex
This building, regarding its monumentality, structure and the complex and extravagant composition was designated as a multi- purpose bath (thermal) complex which probably encompassed the entire quarter west of the cardo street (maximus?) i.e. south of decumanus (maximus?). The dimensions and construction phases of the building have not yet been determined, as it is still in the research stage. It is of elongated shape with several areas arranged lengthwise, inter- connected according to the purpose and extent of heating. There are indications that the south- ern part of the building was intended for hot bathing, while the northern and central parts were probably used for cold bathing and recreation. In the warm section, from south to north, was identified a caldarium with an apse-shaped room (pool) on the north side and two heating stations. In the north section the following chambers have been researched: the apodyterium, corridor, inner courtyard (atrium) and parts of several chambers of unidentified purpose. The impressive rectangular apodyterium is connected to the cardo street via a semi-circular entrance. To the east extends a nearby elongated corridor, directly connected to the main decumanus on the north, and to the central inner courtyard on the south.
The floor and the lower zone of the walls in the hall, as well as the niche, were coated with waterproof mortar with a thin smooth glaze. On the floor were laid decorative green, red and yellow marble slabs. Two floor levels have been identified indicating a restoration of the hall. There are indications that the walls in the upper level were decorated with luxurious wall mosaics and frescoes of rich colorations and graffiti. In this setting was probably placed the statue Venus Pudica with a dolphin.
During its existence for many centuries, from the 2nd to the 5th century, the building under- went several extensions and adaptations, which probably altered the purpose of the individual chambers.
HTMLText_200BC0C5_2E0B_B112_41B2_4492A2FF9946_mobile.html = Horreum (granary - a public warehouse)
The building has a simple massive structure of an elongated rectangular shape (65 x 15 m). On each of the north and south ends of the west side there is an auxiliary room, which is connected to the main building by separate entrances. The main communication of the Horreum with the exterior (the street decumanus maximus) is through the three entrances at the north end, one main and two auxiliary. On the west side there is another auxiliary entrance.
The interior of the northern half of the building, with three parallel rows of columns is noticeably divided into four longitudinal corridors. Inside the building were found several bases and shafts of columns, which divided the corridors on the upper level indicating existence of a multi-story construction.
HTMLText_3EE355C9_2F24_58C0_41AD_61934AC164F6_mobile.html = Late Antiquty micro - dwelling units
The discovered remains of Late Antiquty micro - dwelling units are silent witnesses to the last remnants of organized life in Scupi, whereby we get a clear picture of what happened in the area of Scupi in the turbulent years at the end of Late Antiquity, during the late 6th century and even later in the early 7th century.
The organization of the micro-dwelling complexes on both sides of the cardo street indicates a fragmentation and disintegration of the previous building structure into smaller trade units.
The walls were built by means of the primitive dry-wall technique using unprocessed stones and broken bricks bound by mud, which oten incorporated architectural elements (spolia), parts or whole walls from the older building periods. The masonry and diferent loor levels of pressed earth point to at least two building phases followed by additions or adjustments to the space, which conirms not only the weak economic power of their owners but also the weak economic power of Scupi in that period.
Nevertheless, the efective organization and rationalization of the space is evident through the fact that the individual buildings are structurally simple and interconnected.
HTMLText_3623FDCF_2F6D_A8C1_41B0_E4E31460AC6C_mobile.html = Northern wing of the Great thermal complex
Area of the northern wing of the Great Thermal Complex in a research phase...
HTMLText_B30A0945_A3FF_2FA9_41BC_1534AB4255C8_mobile.html = Scupi – Colonia Flavia Scupinorum
Archaeological finds indicate continuous life on the area of the future city of Scupi and the immediate surroundings in the Bronze and Iron Age - from the 12th to the 6th century BC. According to historical sources, the Dardanians penetrate and populate the region of the Skopje Valley in the late 3rd century BC.
The Scupi colony (Colonia Flavia Scupinorum) was established by means of inhabiting veterans (retired soldiers) of the legions: Seventh Claudius (VII Claudia), Fifth Macedonian (V Macedonica), Fifth Alauda (V Alaudae) and Fourth Macedonian (IV Macedonica), who were awarded land as a reward (deduction) on the wider urban area which coincided with the territory of the Skopje Valley.
Scupi is the southernmost provincial capital of Upper Moesia (Moesiae Superior), and the city borders were identical to a section of the province borders. According to the Roman geographer Ptolemy of the 2nd century, Scupi was the largest center and the only colony in Dardania (the southern half of the province), along with the cities Naissus, Ulpiana and Aribantion. During the iperial period, the city progresses and develops profoundly, persisting as a significant administrative, religious and transit center of the province of Moesia Superior.
In 518 AD Scupi was destroyed in an earthquake, which was recorded in the chronicle of Marcellinus Comes. The earthquake and the constant penetrations of the Slavs, Kutrigurs and Avars that ravaged the Balkans throughout the 6th century that consisted of looting, burning and destruction of the wealthy Roman cities including Scupi causes the demise of the city life in Scupi.
HTMLText_20293CB7_2E0B_B17E_41B3_FBBECF856083_mobile.html = Street grid
In line with the general urban structure, the streets were placed according to an orthogo nal system, parallel to the walls of the enclosure (northwest / southeast - southwest / northeast). This involved two main streets: cardo maximus and decumanus maximus. Thus far, the following have been researched: a large section of the street cardo, the inter- sections on this street with two decumani and parts of two cardo streets and one decumanus.
The street which was 8.30 m wide, was paved with irregular massive stone slabs. To the left and the right of the street, separated by curbs, were the sidewalks with a width of 2.60 m on the east, and up to 3 m on the west side, totaling a 14m width of the street. They were paved with cobblestones of ground stone or river flint stones except in certain places, commonly in front of the entrances to the buildings, where bricks were placed instead.
HTMLText_206477E5_2E05_5F12_41B9_8E44317DF05E_mobile.html = Theatre
According to its impressive dimensions, this monumental architectural facility is the largest of the preserved Roman theatres on the territory of the Re- public of Macedonia. The main contours of the building have been uncovered: skene, the central space of the theatre building and the eastern part of the auditorium. In the construction of the auditorium the natural slope of the hill was utilized, while for the purpose of setting the orchestra and the theatre building the ground was previously levelled.
Through the theatre building (98 x 15 m) there are three corridors leading up to the orchestra, which has the shape of a partial semicircle, which is characteristic of the Roman theatres. The outer edge of the auditorium is 16 meters higher than the level of the orchestra, as was prob- ably the height of the stage building.
In the central part of the theatre building were discovered six smaller rooms that served as locker rooms or rooms for preparation of the artists. The facade of the skene has a semicircle niche above the main hall and two rectangular niches above the lateral corridors. The stage was two meters above the orchestra and was covered with multicolor marble slabs. The facade of the skene was extremely lavishly decorated with marble pillars on two floors, and capitals, bases, architraves, door frames, roof wreaths and other decorative architectural elements, with rich ornamentation, whose artistic and technical level of craftsmanship is at an extraordinary high level and does not falter compared to most artistic works from that time in other Roman capitals.
Left and right of the skene are side wings (paraskenia) of the theatre building, which are pulled inside toward the orchestra and partly angled towards the auditorium, thus forming parodoi (entrances) as side pathways to the orchestra.
The auditorium (cavea) lies on the natural slope, facing southwest. One pathway (diazoma) divides the audience into two parts. The seats of the lower section stood on a massive complex substructure of concentric semi-circular walls, interconnected by arches, which form four arched underground passageways. Via the fourth corridor one went out to several places, whereby two exits were discovered (vomitoria) in the lower part of the auditorium. The top half of the auditorium lies over a construction of two concentric semi-circular walls, connected by 24 radial beams, each arched, which served as a base for the seats. The preserved items indicate that the theatrical performances took place in the orchestra. There has not been evidence, thus far, that in the theatre were organized gladiatorial performances.
The architectural composition and the style of decorative elements indicate that the theatre was built during the reign of Hadrian (first half of the 2nd century). That conclusion is supported by the probable visit of Hadrian in Scupi between 121-125 AD.
HTMLText_B7EC8F32_A411_63EA_41E2_DC451FB62558_mobile.html =
## Tour
### Description
tour.description = Scupi – Colonia Flavia Scupinorum
### Title
tour.name = Scupi